The airing of V for Vendetta on Chinese state television- its positive Essay

The breathing of V for Vendetta on Chinese state television- its positive and negative effects on the Chinese people, media and cen - Essay Example at a time with the media event in China, the movie has become bone of contention among the common Chinese people and capital of Red China elite groups alike, and it is likely to cause notable impacts on the Chinese media and population as a whole. The Hugo interweave and Natalie Portman starred film is set in a fictional English community, and exposes a daring, charming liberty fighter known as V (Vigilante), who initiates a revolution against a futuristic authoritarian regime. The pile McTeigue directed movie is based on the 1982 comic book V for Vendetta written by Alan Moore and David Lloyd. It depicts a futuristic situation in Britain where V has to use radical tactics to fight the authoritarian fascist state to regain the states immunity. Another main character of the paper is Evey, a young woman who is rescued by V from a cru cial life-and death condition. As the story progresses, she also identifies her role in the mission carried out by V and voluntarily joins him. V wears the secrete of guy cable Fawkes and invites all the people to join him to blow up the parliament and thereby regain freedom and justice. Although Vs activities are genuine and reasonable, the corrupt Chancellor deems them as acts of terrorism. The movie begins reminding the event when Guy Fawkes plotted to destroy the parliament and the king in order to regain catholic sovereignty in England. The movie really intends to criticise the traditional tactics (fear and the voice of God) used by the administration to pee-pee a feeling that the wrath of God will soon avenge who went against the regime. (Source The Hollywood Reporter). In this context, the airing of the movie V for Vendetta raises numerous questions with regard to the Chinese censorship laws and entertainment policies. The Chinese organisation has been very much concern ed about preserving its political authority and hence maintained a pixilated rein on traditional and new media so as to prevent any potential threats from their part. The government has very often entailed strict media controls which involved but not limited to using monitoring systems, shutdown down publications or websites, jailing etc. As Bennet (2013) points out, Chinas censorship of its media has been getting attention recently when southern Weekly, a liberal-leaning paper based in Guangzhou, staged an extensive confrontation with the government. Googles battle with the Chinese government over Internet censorship in China is another example. However, as many thinkers believe, the airing of the arguable film charges Chinas attempt to balance its media controlling power with the growing need for information. In other words, it seems that China is badly in need of press freedom while at the akin time worried about the impacts the liberalisation would bring upon the economy. Th e airing of the V for Vendetta would be counted as a remarkable event in the history of Chinese media. The event got wide media coverage and aggregate responses around the globe. As The Guardian reported dated 20th December 2012, after the telecast, Chinas internet crackled with quotes of a famous catchline from the movie People should not be afraid of their governments. Governments should be afraid of their people. The reports indicate that people at the helm of affairs were not very much